I was born in 1979 so I was a bit late for Wham! They were definitely there lurking in the background of my eighties
childhood– on telly and the radio, in magazines – but that was about it. I
never had any of their records and neither (if memory serves me) did any of my
older siblings, whose music tastes I absorbed as I grew up.
These days I like to think that i’ve got fairly wide ranging
music tastes, but I have to admit that eighties pop is probably the genre
closest to my heart. So I have for some time appreciated the indisputable pop
genius of wedding disco favourite ‘Wake Me Up Before You Go Go’. But it’s only
quite recently that I’ve started to properly get into Wham! I admit that 32 is
an odd age for this to happen. But happened it has and I just cannot get enough
of them.
Those Wham boys are easy to laugh at and I know that in many
people’s minds they’re probably associated with the overdone, luminous camp of
the Club Tropicana video and the bad 80s nostalgia nights it spawned. But
beyond the fake tans and cocktail umbrellas, beyond the cheesy grins and blonde
highlights, beyond Andrew Ridgely’s pretend guitar playing, there really is
some great stuff going on.
To start with an obvious point, they made fantastic pop. There is, I admit, a
fair bit of daftness among the back catalogue (of which more later) but there
are also moments of pure joyful brilliance. You just CANNOT argue with the
opening ‘jitterbug’ hook on Wake Me Up, or with the drama of the ‘pack your
bags…’ middle eight in ‘Club Tropicana’, or with ‘Freedom and its fab thumping Motown-style beat (not
to mention that glorious bittersweet trumpet solo at the end). They also did a brilliant line in
heartbreak, and ‘Last Christmas’, aside from being probably the best Christmas
song ever, is also a great bit of soulful pop. Every time I hear it I am struck
anew by the sheer pain in George
Michael’s voice. The way it builds to that soaring, pained crescendo near the
end – soppy bastard that I am, it actually bring tears to my eyes.
So that’s the stuff that I would happily and confidently
defend in the Court of Pop. And then there’s the daft stuff, like ‘Wham Rap’,
which is half totally shit and half absolutely brilliant. It’s their anti-wage
labour anthem, in which George Michael *ahem* ‘raps’ about his refusal to get sucked into a soul-destroying
9-to-5 job. ‘I’m a soul boy, I’m a dole boy;’ he tells us. ‘I take pleasure in
leisure, I believe in joy’. Right on, boys! I love that lyric – it’s so
brilliantly of its time and so unlike anything that any two-bob boyband, for
all kinds of reasons, would sing about today.
There’s a genuine, almost punk-like, spirit of youthful joyousness
and rebellion in that song and others like it (see also ‘Young Guns’ and ‘Bad
Boys’, also a bit silly). Those songs
grapple with all the stuff that pop should grapple with– freedom, fun, sex, telling your parents to fuck off. There’s a side to their songs that genuinely wants life to
be as good as it can be. Take ‘Club Tropicana’, on the surface a shiny eighties
anthem about an exotic getaway where you can ‘rub shoulders with the stars’. But
at this place everyone’s welcome and what’s more ‘there’s enough for everyone’.
No one has to do without - it’s socialism!
It’s all that stuff, combined with those amazing hooks, choruses and tunes, that makes Wham! so great. They are pure pop and pure joy. My favourite lyric - and perhaps even my life motto – is from ‘Wake Me Up Before You Go Go’: ‘Come on baby, let’s not fight, we’ll go dancing and everything’ll be alright’. And when I hear that line, there is genuinely a part of me that thinks, as long as that song exists, that everything will be alright.
It’s all that stuff, combined with those amazing hooks, choruses and tunes, that makes Wham! so great. They are pure pop and pure joy. My favourite lyric - and perhaps even my life motto – is from ‘Wake Me Up Before You Go Go’: ‘Come on baby, let’s not fight, we’ll go dancing and everything’ll be alright’. And when I hear that line, there is genuinely a part of me that thinks, as long as that song exists, that everything will be alright.